The Robert Girrard
25 Nov 2006 12:41![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
levkonoeThomas Kinkade
"September Song"
The Robert Girrard era, beginning in 1984 and extending over approximately six years, represents more than 60 paintings and served as a major foundational and transitional period. It is the period in which Kinkade was free to experiment with new and unique color combinations which resulted in a distinct broadening of his palette, the use of more exuberant brush strokes and impasto, and the refinement of the broken color techniques of the French impressionists.
By using the Girrard brush name, Thomas Kinkade achieved absolute artistic freedom. As well, he did not need to be concerned with the effect a Girrard canvas might have on Kinkade collectors. "At that time, influenced by common wisdom among artists, I felt I couldn't take a creative shift using my own name. It would confuse, and possibly alienate, collectors of my studio work," Kinkade says. This freedom led to a joyful experimentation that resulted in numerous breakthroughs and advances in Kinkade's artistic techniques and talents. Accomplished in the creation of mood and atmosphere in landscape, the broadened palette Kinkade acquired during the Girrard years allowed new dimensions to be employed in how he handled subtle beauties and qualities in a broad variety of contexts.
Затравили эстеты...
А все-таки импрессионистов много, а Кинкейд со своими домиками - один.
"September Song"
The Robert Girrard era, beginning in 1984 and extending over approximately six years, represents more than 60 paintings and served as a major foundational and transitional period. It is the period in which Kinkade was free to experiment with new and unique color combinations which resulted in a distinct broadening of his palette, the use of more exuberant brush strokes and impasto, and the refinement of the broken color techniques of the French impressionists.
By using the Girrard brush name, Thomas Kinkade achieved absolute artistic freedom. As well, he did not need to be concerned with the effect a Girrard canvas might have on Kinkade collectors. "At that time, influenced by common wisdom among artists, I felt I couldn't take a creative shift using my own name. It would confuse, and possibly alienate, collectors of my studio work," Kinkade says. This freedom led to a joyful experimentation that resulted in numerous breakthroughs and advances in Kinkade's artistic techniques and talents. Accomplished in the creation of mood and atmosphere in landscape, the broadened palette Kinkade acquired during the Girrard years allowed new dimensions to be employed in how he handled subtle beauties and qualities in a broad variety of contexts.
Затравили эстеты...
А все-таки импрессионистов много, а Кинкейд со своими домиками - один.
